ACTIVITY #4.2: Direction. Write a 500 to 1000-word critique of a selected text based on its claim, context and properties as a written material using your own words and based on your own opinion.
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ACTIVITY #4.2: Direction. Write a 500 to 1000-word critique of a selected text based on its claim, context and properties as a written material using your own words and based on your own opinion.
True Answer Brainlest thank you
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Answer:
The selected text for this critique is the article entitled "Why We Need to Start Seeing the Classical World in Colour" by Sarah E. Bond, published in the online magazine, Hyperallergic, on February 16, 2018.
Claim
The article's claim is that the popular perception of the ancient world as colorless and monochromatic is false and misleading, and that there is ample evidence from various sources to show that the classical world was actually full of color and vibrancy. The author argues that this misperception is the result of cultural biases and assumptions that have been perpetuated in academia and popular media, and that it needs to be challenged and corrected to offer a more accurate and inclusive view of the past.
Context
The context of the article is the ongoing debate and discussion among scholars and the public about how to interpret and present the ancient world in museums, classrooms, and media. The author notes that many depictions of ancient statues, buildings, and artifacts in museums, films, and textbooks show them as white or neutral, devoid of the colors and embellishments that they likely had in their original context. The author suggests that this whitewashing of the past is not only historically inaccurate but also politically and socially problematic, as it associates whiteness and Eurocentrism with cultural superiority and intellectual authority.
Properties
The article is well-researched and well-written, with a clear structure and persuasive arguments supported by evidence and examples. The author draws on a wide range of sources, from ancient texts to modern studies, to demonstrate the prevalence and importance of color in the classical world, such as the use of polychromy in Greek and Roman sculpture, pottery, and architecture. The author also makes connections between the erasure of color in representations of the past and the wider issues of identity politics and cultural hegemony, highlighting the need for more diverse and inclusive narratives of history and art.
Opinion
I find the article convincing and informative, as it challenges the common assumption that the classical world was colorless and austere, and shows that there was a rich and varied palette of hues and shades in ancient art and architecture. I appreciate the author's efforts to address and critique the cultural biases and prejudices that have shaped our view of the past, and to foreground the voices and perspectives of marginalized groups such as women, slaves, and non-European cultures. I also agree with the author's call for more inclusive and diverse representations of history and art, which can help to challenge and deconstruct the hegemonic norms and values that have dominated academia and popular culture.
Overall, I think this article is a valuable contribution to the ongoing conversation about how we can reimagine and reinvent our understanding and appreciation of the past, and how we can use history and art as tools for social justice and equality.