describe the elements and principles of arts applied in the three examples of east asian paintings
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describe the elements and principles of arts applied in the three examples of east asian paintings
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East Asian arts, the visual arts, performing arts, and music of China, Korea (North Korea and South Korea), and Japan. (The literature of this region is treated in separate articles on Chinese literature, Korean literature, and Japanese literature.) Some studies of East Asia also include the cultures of the Indochinese peninsula and adjoining islands, as well as Mongolia to the north. The logic of this occasional inclusion is based on a strict geographic definition as well as a recognition of common bonds forged through the acceptance of Buddhism by many of these cultures. China, Korea, and Japan, however, have been uniquely linked for several millennia by a common written language and by broad cultural and political connections that have ranged in spirit from the uncritically adorational to the contentious.
A broad introduction to East Asian arts—their common characteristics, traditions, and values—follows. More detailed and focused treatment is presented elsewhere. For detailed coverage of the visual art of East Asia, see Chinese art; Chinese bronzes; Chinese calligraphy; Chinese jade; Chinese lacquerwork; Chinese painting; Chinese pottery; Japanese art; Japanese calligraphy; Japanese pottery; Korean art; Korean calligraphy; and Korean pottery. For detailed coverage of the architecture of East Asia, see Chinese architecture; Japanese architecture; and Korean architecture. For detailed coverage of the music of East Asia, see Chinese music; Japanese music; and Korean music. Likewise, for detailed coverage of the dance and theatre of East Asia, see Chinese performing arts; Japanese performing arts; and Korean performing arts.
The Visual Arts
From ancient times, China has been the dominant and referential culture in East Asia. Although variously developed Neolithic cultures existed on the Korean Peninsula and on the Japanese archipelago, archaeological evidence in the form of worked stone and blades from the Paleolithic and Neolithic periods suggests an exchange between the early East Asian cultures and the early introduction of Chinese influence. This cultural interaction was facilitated in part by land bridges that connected Japan with the continent.
Significant developments in the production of earthenware vessels from as early as 14,000 BCE in Japan (thus far, the world’s earliest dated pottery) and from approximately 3500 BCE in Korea are well documented. They reveal a rich symbolic vocabulary and decorative sense as well as a highly successful union of function and dynamic form. These types of vessels chronicle the increasing needs for storage as there was a gradual societal transformation from nomadic and foraging cultures to more sedentary crop-producing cultures. There were pottery-dominant cultures in China as well. The painted (c. 5000 BCE) and black (c. 2500 BCE) earthenware are the best known.
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