historical period of ecstacy of st.teresa
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historical period of ecstacy of st.teresa
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The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and profligate Barberini pope. Without papal patronage, the services of Bernini's studio were therefore available to a patron such as the Venetian Cardinal Federico Cornaro (1579–1653).
Cornaro had chosen the hitherto unremarkable church of the Discalced Carmelites for his burial chapel.[a] The selected site for the chapel was the left transept that had previously held an image of 'St. Paul in Ecstasy', which was replaced by Bernini's dramatization of a religious experience undergone and related by the first Discalced Carmelite saint, who had been canonised not long before, in 1622.[1] It was completed in 1652 for the then princely sum of 12,000 scudi.[b]