make a summary of your reallization about vocal music of palawan
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make a summary of your reallization about vocal music of palawan
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1. MUSIC OF PALAWAN
2. Socio-Historical Contex Lalawigan ng Palawan, is an island province of the Philippines located in the Region 4. Its capital is Puerto Princesa City, and it is the largest province inthe country in terms of total area of jurisdiction.
3. Geography of Palawan Palawan is composed of the long and narrow Palawan Island, plus a number of other smaller islands surrounding the main island. Palawan covers the Cuyo Islands in the Sulu Sea. The disputed Spratly Islands, located a few hundred kilometers to the west, are considered part of Palawan by the Philippines, and is locally called the Kalayaan Group of Islands.
4. People of Palawan Palawan is the largest province in the Philippines, is home toseveral indigenous ethnolinguistic groups: Batak- which means "mountain people" in Cuyonon is a group of indigenous Filipino people that resides in the northeast portion of Palawan. These people believe in nature spirits, with whom they communicate through a babaylan or medium.
5. People of Palawan Palaweños - Native-born lowland dwellers - They are religious, disciplined and have a highly developed community spirit - Language : Cuyonon & Agutaynen.
6. People of Palawan Palawano - also known as Palawan, is one of the unique indigenous peoples of Palawan. They are part of the large Manobo-based linguistic groups of southern Philippines. They traditionally hunt using soars and bamboo blowguns. - The Taawt Bato means "people of the rock".
7. People of Palawan Tagbanwa - or "people of the world," are found in central and northern Palawan. They practice shifting cultivation of upland rice, which is considered a divine gift, and are known for their rice wine ritual called pagdiwata. Central Tagbanwas are found in the western and eastern coastal areas of central Palawan. They are concentrated in the municipalities of Aborlan, Quezon, and Puerto Princesa.
8. Vocal Music of Palawan Bagit, Kulial (Songs) Tultul (Epic chant) Ulit (Shamanic chant)
9. Tultul (Epic chant) To sing tultul is to be possessed by a Täw Tultultulän. These “Epic Heroes” are a type of humanity who live in the median space and intercede between people on this earth and Ämpuq. They are a Benevolent Humanity protecting the “Real Men.” Epics are always chanted at night, ending at daybreak; it is forbidden to sing when the sun shines and during the day. This prohibition links the epic to the night and a sacred world.
10. Ulit (Shamanic chant) The shaman sings the difficult experience of the voyage of his double, kuruduwa, by a specific chant, the lumbaga, whose melody is in all points assimilable to any epic melodic line. And it is precisely the ordeals that the soul of the shaman overcomes in the course of his voyage that constitute the shamanic chant.
11. Instruments Suling (banded flute) Babarak (ring flute) Basal (gong) Aruding (Jew’s harp) Kusyapi (lute) Pagang (bamboo zither)
12. Suling (banded flute) Mostly, suling is made of 'tamiang' bamboo a long tube bamboo which has very thin surface. The head of suling, near a small hole, is circled with a thin-band made of rattan or rotan to produce air vibration.
13. Babarak (ring flute)
14. Basal (gong) The set of one or two big gongs, agung, and a pair of small ringed gongs, sanang, hang from the wall plates, while the drum, gimbal, rests on the lateral platform ready to be played, mainly at dusk and at night time. This collective ownership, enhances the consanguinal ties and the solidarity binding the people together.
15. Aruding (Jew’s harp)
16. Kusyapi (lute) This instrument is significant to the Museums collection as it is representative of music making and instrument making in the Philippines, in Southeast Asia, as well as being an example of the type of instrument that traditional music is played on.
17. Pagang (bamboo zither) The instrument is made of one whole node of bamboo which is partly slit to keep the node from splitting apart. The slit serves as a resonator when the "strings"-which are lifted out of the bamboo "skin" and kept up by wedges-are plucked.
18. Musical Context The subtle threads between Mankind and Nature involve all our senses and more particularly our auditive sensitivity. Capturing tonalities, rhythms, and melodies, we can like a bird fly down from the celestial vault to the Earth, dwelling-place of Highlander-islanders known as the Palawan who live in the southern part of the island by the same name.
19. Musical Context This aural voyage will take us to the realm of words, poetry, and music as human creations which the Palawan uses to communicate in order to live harmoniously in this world.
20. THANK YOU! Prepared By:VINOYAPRINCESS
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