what can you conclude on the musical elements of japan folk song sakura, chinese folk song mo li hua, and korean folk song arirang?
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what can you conclude on the musical elements of japan folk song sakura, chinese folk song mo li hua, and korean folk song arirang?
(pakisagutan po plss,need ko na po kase)
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EAST ASIAN FOLK MUSIC
The music frequently hopes to address normal sounds, and the hints of life, through percussion, wind and stringed instruments. A fascinating element of old style Japanese music is its scanty beat and nonattendance of normal harmonies. Each of the rhythms are 'mama'- based and quiet is a significant piece of the tunes.
This piece of Tan Dun, an Academy Award winning Chinese contemporary traditional writer, refered to by China Daily in 2008, depicted it as "magnificent, inspiring and brimming with deference... a notable piece... very nearly a social image of China" and "From Puccini to the Beijing Olympics, this tune is a gift from the Chinese.
Arirang music talk about leaving and get-together, distress, satisfaction and bliss. Arirang society melodies support social relations, along these lines adding to shared regard and tranquil social turn of events, and assist individuals with communicating their sentiments and defeat sadness.
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