WHY COMPOSERS OF RENAISSANCE PERIOD COMPOSED MADRIGAL MUSIC?
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WHY COMPOSERS OF RENAISSANCE PERIOD COMPOSED MADRIGAL MUSIC?
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A madrigal is a secular vocal music composition of the Renaissance (15th–16th c.) ... The technical contrast between the musical forms is in the frottola consisting of music set to stanzas of text, whilst the madrigal is through-composed, a work with different music for different stanzas.
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A madrigal is a secular vocal music composition of the Renaissance (15th–16th c.) and early Baroque (1600–1750) eras. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varied between two or three tercets, followed by one or two couplets.[1] Unlike the verse-repeating strophic forms sung to the same music,[2] most madrigals were through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung.[