Writing Task 1: You are the editor-in-chief of your school's publication. The school paper requires you to write 1-3 paragraph opinion article about the COVID-19 pandemic for a special edition paper.
You need to take side and be specific in explaining your point of view by proving clear examples and illustrations to support your arguments.
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Answer:
The Philippine response to COVID-19 has been described as being one of the longest and strictest lockdowns in the world. Entire provinces and cities were put into lockdown, mobility was restricted, and the wearing of masks and social distancing were strictly enforced. Violations were met with punitive action. The government relied heavily on the police and the military to ensure that order was maintained and that all health protocols were followed. This has led some observers and scholars to describe the government response as either “draconian,” “militarised,” or “police-centric” (Maru, 2020). For the government, these measures were all part of the nation’s “war” against COVID-19. Why has the Philippine government relied heavily on draconian measures in its “war” against COVID-19? And what discourse informed the framing of its response as a war against the virus?
In this article, I argue that the government’s draconian response was a consequence of securitising COVID-19 (see next section for background of the term “securitisation”). In this process, the virus was perceived as an “existential threat” that “[justified] the use of extraordinary measures to handle [it]” (Buzan et al., 1998: 21). The securitisation of COVID-19 was produced by framing the pandemic response as a war against a so-called “unseen enemy.” To wage this war, the government required extraordinary powers and the unconditional co-operation of Filipinos. Consequently, this war-like narrative produced oppositional archetypes. These archetypes were perceived to either contribute to or derail governmental efforts to win the war. Contributing to the war was the virtuous archetype embodied by healthcare professionals, frontline workers, police, military, so-called “homeliners,” and law-abiding citizens. On the other hand, was the errant archetype embodied by the “pasaway.” The term “pasaway” is a Filipino word loosely refers to an importunate, stubborn, or obstinate person. Amid the lockdown, the term pasaway referred to people violating government-imposed health protocols. Feared for spreading the virus, the pasaway became the bane of the government’s pandemic response. In many ways, the government’s war against COVID-19 has also sought to “salvage” the virtuous from the pasaway.1 The act of salvaging took the form of policing and punishing the pasaway.
I also argue that the securitisation of COVID-19 and the production of oppositional archetypes is no accident. The Philippines’ response to COVID-19 reflects a continuation of President Rodrigo Duterte’s populistic brand of leadership (Curato, 2016; Juego, 2017; Thompson, 2020). Broadly speaking, populism relies on the depiction of a bifurcated society – elite versus the masses, criminals versus law-abiding citizens, the corrupt versus virtuous citizens, “angels versus demons” (Jensen and Hapal, 2018). Amid the pandemic, Duterte exercised his populistic tendencies by depicting the virus as a sinister menace embodied by the pasaway. In many ways, the pasaway is a construct resembling the drug addict in the context of the war on drugs or, more broadly, the colonised and racialised others. Seen this way, it is no surprise that the government’s pandemic response has, by far, closely resembled its approach with its war on drugs (Robertson, 2020). In both its war on drugs and its COVID-19 response, the government has relied on brute force to eliminate its perceived enemy, and it has peddled a narrative of a bifurcated nation. Torn between the virtuous and criminal elements, it has become the government’s duty to “salvage” the nation, lest the Philippines be destroyed (Curato, 2016; Jensen and Hapal, 2018).
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